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 I first took up playing piano back in 1982, when
                keyboards were pretty much wallowing on the
                bottom of the Rock food chain. Oh, sure you had
                your valiant attempts at resurrecting Southern
                Rock by covering the entire Skynnyrd catalogue,
                your "Damn, that 'November Rain' tune sure
                sounds cool, how many orchestras do we know?
                " scenario and the occasional "Our
                songwriting really sucks ass, what fun and
                exciting things can we do with SINE waves to
                cover it up?" situation, but the people who
                answered these calls didn't generally end up on
                the front of the album cover with the rest of the
                band. Nobody was following up on Keith Emmerson
                and Jon Lord, using the raw power of organ grit
                run through effects normally reserved for power
                chords. No, Bon Jovi and Depeche Mode never even
                got a foot in the door, if you disagree, you need
                to leave
.now. Of course the 90's came along
                and caused a keyboard revolution with
                historically ground-breaking acts such as...
                ummmm...help me out here...Ben Fold? NIN? See
                previous statement.
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                | I
                realized my list of mentors was pretty short on
                this one, but keyboards was what I played and
                rock was what I loved. So I studied the work of
                John Mayall, Oscar Peterson, Herbie Hancock, Chic
                Corea and others, and applied it to a long string
                of garage bands with varying degrees of success.
                No matter whether it was funk, jazz, rock or
                blues, there were always moments that just
                fuckin' ROCKED, and those kept me going, even if
                the bands didn't last. There's nothing like being
                on stage when the music is so powerful, that no
                one in the room can help but be taken in. This is
                my goal, to be a part of a group that achieves
                this energy 100% of the time. Not through million
                dollar production or computer-generated soul, but
                through kick-ass rock and roll played by people
                who know just how powerful and sacred that is. It
                has been a testament to the force and timeliness
                of this goal that I have met these like-minded
                individuals and the path has been cleared for us
                to take rock out of that damn whiny forest of
                weak alternative bullshit where it seems to have
                gotten lost!
 A shout out to all the projects that I have been
                involved in or been influenced by over the years.
                They include, in no particular order:
 
 Shadows, Roque, Page 12, Daddy True and the
                G-Vibe Motion, Saggin' Titty, The Raylius
                Project, EarCandy(now Smackerjack), Jamie Green,
                Nectar, The Derek Jones Band, Oscar Peterson,
                Ahmad Jamal, Dr. John, John Mayall, Jon Lord,
                Peter Gabriel, Sting(well, the early stuff
                anyway), Chic Corea, Danny Peck, Rush, Pink
                Floyd, Miles Davis, Herbie Hancock, Les Claypool,
                Sonia Dada, and Galactic.
 
 That ain't all of 'em, but you get the idea.
 
 Peace.
 
 Neil
                MacPherson
 Bret
                Aita -
                Eric Hendrikx - Dave
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