The 1988 Band

 

Elvis Has Just Left The Building
Planet Of The Baritone Women
Any Kind Of Pain
Dickie's Such An Asshole
When The Lie's So Big
Rhymin' Man
Promiscuous
The Untouchables
Why Don't You Like Me?
Bacon Fat
Stolen Moments
Murder By Numbers
Jezebel Boy
Outside Now
Hot Plate Heaven At The Green Hotel
What Kind Of Girl?
Jesus Thinks You're A Jerk
Unless you have a basic familiarity with the political climate in America at the time (1998), a lot of the references made on Broadway The Hard Way will be lost on you.

This album is very political, taking a stab at such topics as Elvis, feminism, confinement loaf, Reaganomics, Pat Robertson's desire to re-write the United States Constitution in the name of GOD, Jesse Jackson's poitical blunderings, AIDS, Jimmy Swaggard's pathetic attempt to use a sex scandle to gain some time in the limelight beside Jim and Tammy Baker (also covered with Jesus Thinks You're A Jerk), and politically sanctioned male prostitution.

That said, there's some great music on this album.

Hearing the rap stylings of Promiscuous reminded me of how good Frank was at drawing from the musical trends of the day. Add to that a guest appearance by Sting on the "jazzy" reworking of Murder By Numbers, a poke at Micheal Jackson on Why Don't You Like Me? (Tell Me You Love Me re-styled to sound like Michael's Billy Jean), A cool version of Outside Now, and "Archetypal American Musical Icons" throughout.

Big Eyebrows, Frank - real Big Eyebrows.

 

 

Heavy Duty Judy
Ring Of Fire
Cosmic Debris
Find Her Finer
Who Needs The Peace Corps?
I Left My Heart In San Francisco
Zombie Woof
Bolero
Zoot Allures
Mr. Green Genes
Florentine Pogen
Andy
Inca Roads
Sofa #1
Purple Haze
Sunshine Of Your Love
Let's Move To Cleveland
When Irish Eyes Are Smiling
"Godfather Part II" Theme
A Few Moments With Brother A. West
The Torture Never Stops
Part One
Theme From "Bonanza"
Lonesome Cowboy Burt (Swaggart Version)
The Torture Never Stops
Part Two
More Trouble Every Day (Swaggart Version)
Penguin In Bondage (Swaggart Version)
The Eric Dolphy Memorial Barbecue
Stairway To Heaven
The Best Band You Never Heard In Your Life takes it's name from the fact that this band self destructed midway through the European leg of their tour.

According to an interview with Frank, a campaign was instigated by a couple of the horn players to rid the band of Scott Thunes on the grounds that he is a terrible bass player. After several displays of a complete lack of maturity on the part of the accusing musicians (culminating in someone scraping Scott's name off of a cake that was presented to the band by a promoter in Germany), Frank asked the offending players if they couldn't try to get along until the end of the summer leg of the tour. They said, "No way." So, Frank canceled the rest of the tour and returned home to Los Angeles, never to tour again.

I have these assholes to thank for the fact that I never got the chance to see Frank in concert.

Anyway, This album is mostly re-workings of previously released material, some good, some not. The exception is the inclusion of several "cover tunes" that by themself, make this offering worth it's cover price.

Check out the cool reggae version of Stairway to Heaven, where the horn section reproduces Jimmy Page's solo practically note for note.

It's too bad that Johnny Cash bagged out of performing with the band on Ring Of Fire. Frank says, in the intro, "His wife got sick," but I get the feeling that Johnny went home and thought better of the idea.

 

 

Stinkfoot
When Yuppies Go To Hell
Fire And Chains
Let's Make The Water Turn Black
Harry, You're A Beast
The Orange County Lumber Truck
Oh No
Theme From Lumpy Gravy
Eat That Question
Black Napkins
Big Swifty
King Kong
Star Wars Won't Work
The Black Page (new age version)
T'mershi Duweeen
Dupree's Paradise
City Of Tiny Lights
Royal March From L'Histoire Du Soldat
Theme From The Bartok Piano Concerto #3
Sinister Footwear 2nd mvt.
Stevie's Spanking
Alien Orifice

Cruisin' For Burgers
Advance Romance
Strictly Genteel
Comprised primarily of the Instrumentals and solos from the ill-fated '88 tour, Make A Jazz Noise Here seems a bit disjointed to me. It could be that Frank's heart just wasn't in it on this one.

I would image that the reality of having been held hostage by yet another bunch of morons passing themselves off as musicians could have taken it's toll on the maestro. Perhaps, Frank was beginning to feel the effects of the cancer that was growing inside of him.

At any rate, I don't understand the inclusion of Stevie's Spanking with Bobby Martin straining to sing the pitches.

If you want to hear how this band handled the standard repertoire, then check this one out.